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Entries in J. Edgar (3)

Tuesday
Feb212012

Exclusive: Behind the Scenes of ‘J. Edgar’

Alberto E. Rodriguez/Getty Images for AFI(LOS ANGELES) -- How did J. Edgar come to be?

Check out this exclusive clip featuring interviews with star Leonardo DiCaprio and writer Dustin Lance Black about how they brought the story of the founder of the FBI to life, and watch more never-before-seen clips on the J. Edgar Blu-ray and DVD, on sale Tuesday.

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Copyright 2012 ABC News Radio

Friday
Nov112011

'Jack and Jill,' 'Immortals,' 'J. Edgar' Open Nationwide Friday

iStockphoto/Thinkstock(NEW YORK) -- Here's a look at the new movies opening nationwide Friday:

-- Jack and Jill: Adam Sandler stars as Jack, a Los Angeles family man who receives a visit from his wacky twin sister Jill -- also played by Sandler -- on Thanksgiving.  Katie Holmes and Al Pacino also star.  Rated PG.

-- Immortals: From the producers of 300 comes this action flick, about a stonemason in ancient Greece who vows to take down a violent king.  Mickey Rourke, Henry Cavill and Freida Pinto star in the film, which is screening in 3D.  Rated R.

-- J. Edgar: The biopic explores the life of longtime FBI head J. Edgar Hoover, played by Leonardo DiCaprio.  Armie Hammer, Naomi Watts and Judi Dench also star in the Clint Eastwood-directed film.  Rated R.  [Click here to read a review]

Copyright 2011 ABC News Radio

Friday
Nov112011

Movie Review: 'J. Edgar'

Warner Bros. Pictures(NEW YORK) -- The website Funny or Die.com released a parody this week of Leonardo DiCaprio in J. Edgar, the crux of which is DiCaprio’s apparent desire to win an Oscar by appearing in a biopic and adopting a strange accent.  As far as parodies go, it’s pretty hilarious.  When you see the movie, however, you’ll quickly realize that regardless of Leo’s Oscar desires, he delivers a great performance.

J. Edgar Hoover is easily one of the most compelling figures in American history.  There’s no denying he changed the way we solve crimes and catch criminals, and his reign over the FBI is unprecedented for a government agency and will never again be seen.  The fact that Hoover himself is the reason his tenure will never be repeated makes his story even more compelling.

The story of J. Edgar unfolds through his own words as an elder Hoover, in the midst of serving his eighth and final president (Nixon), dictates the history of the FBI for a memoir.  We’re then taken back in time to a fascinating rendering of a tumultuous moment in American history seldom discussed: namely, a series of bombings by radicals against public officials that led to the 1919 Palmer Raids.  It is, according to the film, the pivotal moment in 24-year-old J. Edgar’s professional career. Young Hoover is fastidious and filled with ideas, most notably his desire to use science -- such as fingerprint evidence -- to hunt down criminals.

With every ounce of genius, though, comes a pound of paranoia.  Hoover begins collecting files on public figures, essentially blackmailing his enemies, including presidents.  The man’s private life was equally controversial, and that’s where Armie Hammer’s Clyde Tolson comes in.

It’s believed that Hoover and Tolson were lovers. Had this been public knowledge, it would have ruined Hoover and, perhaps, destroyed the FBI. Hammer was a revelation as the Winklevii in The Social Network and continues to impress here.  The only weakness in his performance has nothing to do with him: his old-man makeup is disconcerting. Fortunately, Hammer’s sharp acting cuts through the obvious layers of latex.

While Tolson represented Hoover’s secrets, Helen Gandy protected them.  Naomi Watts is unrecognizable as Hoover’s life-long secretary, and that’s impressive.  The role seems to come as naturally to her as breathing.  Watts continues to be one of film’s best actresses, and we hope one day the Academy recognizes her talents.

Director Clint Eastwood presents this portrait of Hoover using muted colors, dark lighting, tight spaces and closed doors. It’s an aesthetic, whether intentional or not, that creates a metaphorical cage -- or perhaps a very large closet -- for Hoover’s incredibly complex ego and personality.  He is, for all intents and purposes, trapped in a prison he spent a lifetime building.

Artistically, J. Edgar is one of Eastwood’s best films. Legendary for his hands-off approach to directing, Eastwood trusts his actors to do their jobs, and that’s what  DiCaprio does and then some. Once again acting against his type, he doesn’t just play ugly -- he becomes ugly.  And tortured.  And paranoid.  And fantastic.  Not since his work in 1993’s What’s Eating Gilbert Grape has DiCaprio so thoroughly disappeared into a character. His J. Edgar will haunt you for days.

Four-and-a-half out of five stars.

Copyright 2011 ABC News Radio







ABC News Radio